Keeping Colours Bright

Hi! I'm Linda!

I am an artist living in the beautiful Maritimes. My journey in art has led me to create unique pieces that reflect the stunning landscapes and vibrant culture of this region as well as help over a thousand women discover acrylic painting.

Learn more about me HERE.

KEEPING COLOURS BRIGHT

Here are a few things you can do to help keep your paintings vibrant. 

You don't have to implement every tip but try one or two first and see how it changes your paintings.

1. Start With a Light, Bright Background or Underpainting (This Is the Biggest Game-Changer)

Dark, gray, or raw canvas will kill your colour instantly.

Use one of these as your undercoat:

  • Titanium white

  • Light yellow

  • Light blue

  • A soft peach or pastel pink

  • A pale turquoise

A light base makes every layer sit on top with more pop and less muddiness.

2. Choose “High-Chroma” Colors (Some Pigments Are Naturally Vibrant)

Certain acrylic paints are inherently dull. Instead, use pigments that stay bright:

Ultra-vibrant colours for beginners:

  • Quinacridone Magenta

  • Hansa Yellow Medium or Lemon Yellow

  • Phthalo Blue (Green Shade)

  • Phthalo Green

  • Napthol Crimson

  • Brilliant Purple

Avoid muddy colours unless you truly need them:

  • Raw Umber

  • Burnt Umber

  • Yellow Ochre

  • Ivory Black (it’s very flat)

3. Use Less Black When Mixing

Black is the #1 reason beginner paintings look muddy or dark.

Instead darken colours with:

  • Phthalo Blue

  • Dioxazine Purple

  • Burnt Umber (sparingly)

Or use the complementary colour on the colour wheel to tone down a colour without killing vibrancy.

4. Mix With Medium, Not Water

Too much water = chalky, transparent, dull layers.

Use:

  • Gloss medium

  • Glazing medium

These “float” the pigment and keep it looking juicy and saturated.

Instructions:

  • Mix 80% paint + 20% medium (adjust to taste)

  • For glazes: 10% paint + 90% glazing medium

5. Layer From Dark → Midtone → Highlight

Acrylics gain vibrancy the more you layer.

  1. Block in a slightly darker version of your colour.

  2. Add a brighter, midtone layer.

  3. Finish with crisp highlights or bright accents.

Each layer boosts the saturation.

6. Add Pops of Pure, Unmixed Colour

Your entire painting does not need to be blended.

Strategic touches of pure colour make the whole painting “feel” bright:

  • last highlight on a flower

  • sparkle on water

  • sunny edge on a building

  • the top layer of a leaf

Think of these like “colour jewelry.”

7. Use a Gloss Varnish (Instantly Doubles Vibrancy)

Matte varnish can flatten a painting.

If you want that rich, vibrant, saturated finish, use:

  • Gloss varnish (for full shine)

  • Satin varnish (for a gentle glow)

This makes colours look… wet again, in the best way.

8. Avoid Over-Blending

Beginners often blend until everything looks like the same grey-ish mixture.

Instead:

  • Let layers dry before adding new ones.

  • Use fewer brushstrokes.

  • Commit to visible colour transitions.

  • Leave some edges crisp.

Acrylic vibrancy comes from contrast, not smoothness.

9. Push Your Lights Brighter Than You Think

In acrylic painting:

  • Your darks naturally get darker

  • Your lights naturally get duller

So you must actively boost your highlights.

Use titanium white + a touch of warm yellow to create bright, glowing highlights.

Happy painting!



Maritime Art and Soul

Nova Scotia, Canada

+1.9023407873

Copyright © 2026 Maritime Art and Soul - All Rights Reserved.

Maritime Art and Soul

Nova Scotia, Canada

+1.9023407873

Copyright © 2026 Maritime Art and Soul - All Rights Reserved.